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  • Writer's pictureClaudio Fibonacci

The Timeless Elegance of Babe Paley: A Tribute by Naomi Watts

Naomi Watts Capturing the Glamour and Grit of Babe Paley

Naomi Watts Capturing the Glamour and Grit of Babe Paley

The Intriguing World of Babe Paley

In Feud’s second season, Naomi Watts shines as Babe Paley, a central figure among Truman Capote’s Swans. The show beautifully captures Paley’s blend of priggishness and wit, concealing deeper emotions.

Exploring Babe Paley’s Complexity

Throughout the series, Watts delves into Paley’s facade of perfection, which begins to crumble due to personal struggles and Capote’s betrayal. The character’s evolution is portrayed with depth and skill.

Behind the Scenes with Naomi Watts

Watts shares insights on her process of embodying Paley’s vulnerability, the joy of working with a female-dominated cast, and the changing landscape for women in Hollywood.

The Wardrobe of Babe Paley

Given Paley’s relationships with renowned designers, her wardrobe in the show is a visual feast. Watts discusses the collaboration with costume designer Lou Eyrich and the thrill of embodying Paley’s lavish style.

Interview with Naomi Watts

On Feud’s Release

Watts reflects on the anticipation surrounding the show’s release and the excitement of viewers discovering the intricacies of the characters.

Embodying the Character

Delving into Paley’s psyche, Watts discusses the challenges and rewards of portraying a multifaceted character like Babe Paley.

Working with an Ensemble Cast

Watts shares her experiences of camaraderie on set and the dynamic interactions with a talented group of actors.

Reflections on Hollywood

Discussing the evolving landscape for women in Hollywood, Watts emphasizes the importance of diverse and compelling roles for actresses of all ages.

Future Ventures

As Watts expands into beauty entrepreneurship, she remains dedicated to her craft and open to portraying characters that resonate with her at every stage of life.

Feud: Capote vs. The Swans premieres on FX on January 31.

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